Orson Welles had a love affair with Macbeth. Many teachers know him from the 1948 feature film which he both directed and played the title role. Sure it’s in black & white, and yes he rearranges scenes, seems to make up bits of dialogue , and even leaves the witches out of act 4, scene 1 (we only hear their voices), but the film has enough originality to make it still work today.
Here’s the opening minutes:
But perhaps lesser known was the 1936 stage version, commonly called Voodoo Macbeth. The play was part of the W.P.A. and opened in Harlem before moving to Broadway and later going on a national tour. Here’s one of the few videos from that groundbreaking production that survive:
If you want to read more about this production, I’d suggest two books. The first is simply called Orson Welles on Shakespeare edited by Richard France. In addition to an excellent foreword by Simon Callow, it includes the entire script that Welles used.
Weyward Macbeth:Intersections of Race and Performance is a more recent book that touches on that production in some depth.